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No geology is neutral. Tracing the color line of the Anthropocene, this book examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. The author initiates a transdisciplinary conversation between feminist black theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology. (Provided by publisher)
Anthropology --- Anthropology. --- Black race --- Black race. --- Blacks --- Geology --- History. --- Race identity. --- Social aspects. --- Race identity --- Social aspects --- History --- Negro race --- Race --- Geognosy --- Geoscience --- Earth sciences --- Natural history --- Black identity --- Blackness (Race identity) --- Negritude --- Race identity of blacks --- Racial identity of blacks --- Ethnicity --- Race awareness --- #SBIB:39A4 --- #SBIB:309H518 --- Toegepaste antropologie --- Verbale communicatie: sociologie, antropologie, sociolinguistiek --- Race identity of Black people --- Racial identity of Black people --- Black persons --- Negroes --- Ethnology --- Anthropology -- History --- Black race -- History --- Geology -- Social aspects --- Black people -- Race identity
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In Listening to Images Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos—which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders—a quiet intensity and "idian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination.
Identification photographs. --- Portrait photography --- Blacks --- Africans --- African diaspora. --- Social aspects --- Political aspects --- Portraits. --- Identification photographs --- African diaspora --- Ethnology --- Negroes --- Black diaspora --- Diaspora, African --- Human geography --- Photography --- Portraiture --- Mug shots --- Mugshots --- Photographs --- Migrations --- Portraits --- fotografie --- fotografietheorie --- portretfotografie --- archieven --- archivering --- negentiende eeuw --- twintigste eeuw --- kolonialisme --- postkolonialisme --- racisme --- 77.01 --- Black persons --- Transatlantic slave trade --- Black people --- Portrait photography - Social aspects - United States --- Portrait photography - Political aspects - United States --- Blacks - Portraits --- Africans - Portraits
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American literature --- Thematology --- African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Blacks in literature --- Negroes in literature --- Noirs américains dans la littérature --- Noirs dans la littérature --- Race dans la littérature --- Race in literature --- Ras in de literatuur --- Zwarte Amerikanen in de literatuur --- Zwarten in de literatuur --- Human skin color in literature --- Whites in literature --- White in literature --- White authors --- History and criticism --- -Blacks in literature. --- English literature --- Agrarians (Group of writers) --- -History and criticism --- African Americans in literature. --- Blacks in literature. --- Human skin color in literature. --- Race in literature. --- White in literature. --- Whites in literature. --- History and criticism. --- White authors&delete& --- American literature - White authors - History and criticism
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In recent years, the world has seen the rise of white nationalism in America and the tragic persistence of violence against African-Americans. Featuring works by more than 30 artists and writings by scholars and art historians, this book - and its accompanying exhibition - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that Black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten. Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Okwui Enwezor, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Lisa Phillips, Claudia Rankine, and Christina Sharpe.
Art --- photographs --- sculpture [visual works] --- installations [visual works] --- grief --- racial discrimination --- civil rights --- video art --- performance art --- easel paintings [paintings by form] --- commemorations [events] --- mourning --- race [group of people] --- sound art --- African Americans in art --- Grief in art --- Art, American --- African Americans --- kunst --- eenentwintigste eeuw --- Verenigde Staten --- racisme --- afro-amerikanen --- kunst en samenleving --- kunst en maatschappij --- 7.039 --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Violence against --- Exhibitions --- Black people --- Racisme --- Colonialisme --- Noirs américains --- Chagrin --- Catalogues d'exposition --- African Americans in art. --- Art américain --- Art, American. --- Black lives matter movement --- Chagrin dans l'art --- Grief in art. --- Noirs américains dans l'art --- Violence against. --- 2000-2099. --- United States --- Race relations --- Psychological aspects --- paintings [visual works]
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